Archive for the ‘Jamie Foxx’ Category

Friday Estimates: Where The Wild Things Are On Top; Law Abiding Citizen Actually Does Well!

October 17, 2009

Some very early Friday Estimates are starting to roll in, and as predicted, Where The Wild Things Are topped the Friday box office with an estimated $11.9 million.  This should guide the Warner Brothers feature to a solid $35 million weekend.  Keep reading to find out how the rest of the box office looked…

Law Abiding Citizen, the critically ravaged prison drama starringJamie Foxx and Gerard Butler, found a surprisingly great $7.7 million on Friday.  I predicted it to earn just $9.5 million, so this is definitely a break out hit. It could be headed to a $20 million weekend.

Paranormal Activity grossed a very good $6.7 million out of 760 theaters on Friday, so it should finish the weekend with an unbelievable $17 million.

Couples Retreat fell 50% from last Friday to $5.8 million, but it should recover over the rest of the weekend and finish with about $19 million.

The Stepfather also exceeded my expectations, finding $4.3 million on Friday, which is far from spectacular, but pretty good when you consider the poor reviews, the weak advertising, and the lack of proven star power.  It might grab $10.5 million over the weekend frame.

It should also be said that the box office is exhibiting a tremendous amount of depth this weekend, as five films are headed to $10+ million weekends! This abundance of ticket sales and great business is kind of random, considering this weekend really only had one high profile release, but hey, in this recession, every economic win is a reason to rejoice!

Box Office Estimates For October 16, 2009
1. Where The Wild Things Are – $11.9 million
2. Law Abiding Citizen – $7.7 million
3. Paranormal Activity – $6.7 million
4. Couples Retreat – $5.8 million
5. The Stepfather – $4.3 million
6. Zombieland – $2.4 million
7. Cloudy With A Chance Of Meatballs – $2.1 million
8. Toy Story / Toy Story 2 (3D) – $825,000
9. The Invention Of Lying – $605,000
10. Surrogates – $585,000

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Jamie Foxx Tries To Save His Movie By Guesting On American Idol?

April 30, 2009

So by now you probably know that Jamie Foxx and Robert Downey Jr.’s musical drama, The Soloist, had a pretty bad opening weekend, earning a paltry $9.7 million. Paramount must have known that buzz was low for their film, so they subsequently signed up Jamie Foxx to be a guest mentor on the biggest show on TV, American Idol. How else do you explain Foxx’s straight-outta-left-field presence as the mentor for Idol‘s Rat Pack Week?! I mean, I’m just saying…

Weekend Fix: Audiences Are Obsessed With Beyoncé!

April 27, 2009

Wow, this is late, and I know it seems like that is becoming a trend, but I had 18 pages of writing due today for finals, and that’s kind of been consuming me the past couple of days. Anyway, this post just feels obligatory because its so far after the fact, but here are the weekend actuals, in which Beyoncé crushed everything else in her path, as Obsessed found a fantastic $28.6 million. Honestly, when is this woman not successful? Everything she touches is gold! A lot of that success can probably be attributed to the recession. Audiences are down and depressed, so what better to make them feel better than a girl-on-girl catfight?!

Meanwhile, Fighting‘s debut once again verifies that Terrence Howard is, in fact, box office poison. There were no overwhelmingly huge grosses at the box office this weekend, but there was certainly some solid depth, with the top 6 films all earning $8 million or more in what’s usually a terrible weekend in April! Things are going to get crazy next weekend with the debut of Wolverine! I can’t wait!

Top 12 For April 24-26
# Movie Title 3-Day Gross % Change AVG. Total
1 Obsessed $28,612,730 New $11,260 $39,823,333
2 17 Again $11,518,495 -51% $3,539 $118,042,070
3 Fighting $11,024,370 New $5,468 $11,024,370
4 The Soloist $9,716,458 New $4,775 $9,716,458
5 Earth $8,825,760 New $4,892 $14,472,792
6 Monsters Vs. Aliens $8,520,826 -36% $2,537 $174,813,830
7 State Of Play $6,848,885 -51% $2,440 $25,081,890
8 Hannah Montana The Movie $6,437,141 -52% $1,992 $65,655,057
9 Fast And Furious $6,204,940 -47% $1,740 $145,367,040
10 Crank: High Voltage $2,618,379 -62% $1,178 $11,735,952
11 I Love You, Man $1,952,921 -41% $1,249 $67,809,860
12 Knowing $1,943,154 -46% $1,045 $76,780,504
All Numbers Provided By Exhibitor Relations Co.

Weekend Preview: Beyonce Fights The Earth Solo, And Wins!

April 24, 2009

In case you haven’t noticed, The Box Office Junkie looks a little bit different than it did a few days ago. I switched the template from two columns to three columns, and I hope you like the change! It just makes distribution of widgets and advertisements so much more manageable. Anyway, all the formatting and html tinkering has left me with very little time to get this weeks Weekend Preview together, so excuse me if it doesn’t measure up. At least it will be better than last week, when I just skipped this column altogether! Let’s just tackle the newcomers.

Obsessed – $20 million
Confession: I’m kind of obsessed (no pun intended!) with Beyoncé. I have this awkward habit of saying, “That’s so Beyoncé” whenever something awesome happens. It all started when my friends and I decided to start saying, “That’s so Raven,” to see if we could make a new, trendy phrase catch on. It didn’t, and after a few months I found myself constantly saying, “That’s so Beyoncé.” Oh well. Regardless, the former Destiny’s Child lead singer is pretty much a stud at everything she does, and it looks like she’s made a very wise career move with Obsessed, a woman-gone-mad drama also starring Ali Larter. This thriller has a lot going for it: The female leads should draw in women. The fact that the female leads wrestle on the floor should draw in men. Having black leads (Beyoncé’s husband is played by Idris Elba) will draw in ethnic audiences. The jury’s out on reviews, since it wasn’t screened for critics, but the Screen Gems feature has had a very strong marketing campaign, and frankly, I think it looks pretty great. Kicking and screaming onto 2,514 theaters, I’m giving Obsessed a solid $20 million weekend.

Earth – $12 million
I’m kind of over the whole “going green” thing. It’s just a little bit too liberal-Hollywood, self-important, politcally correct for me to buy the whole fad. Still, never willing to miss a moneymaking opportunity, Disney is tapping into the trend, releasing Earth, which is essentially a film crafted from some of the clips that weren’t used for Planet Earth. It had a great Wednesday debut of $4 million out of 1,804 theaters, but that was with the Earth Day boost. For the regular weekend, I’ll give Earth $12 million, which is about three times higher than what I would’ve predicted last week. Ugh. I guess all the “going green” stuff isn’t going away any time soon.

The Soloist – $11 million
Robert Downey Jr. and Jamie Foxx teamed up for this inspirational drama about a struggling, but extraordinarily talented, homeless musician. Director Joe Wright (Pride And Prejudice and Atonement) is receiving some mixed reviews for this, though the lead actors are receiving much praise. This musical project sort of reminds me of 2007’s August Rush, which audiences lapped up like liquid lollipops, and with a lauch into 2,024 theaters, I’m seeing a modest $11 million weekend, with some decent legs after that.

Fighting – $8.5 million
I’m not a girl. I have never watched Step Up. I don’t know to what extent teenage girls are willing to flock to the theater just to see Channing Tatum shirtless and physical. Thus, I reserve the right to be very wrong about this prediction. I also reserve the right to gloat if I’m correct. This looks almost exactly the same as last month’s teen fighting film, Never Back Down, which debuted to $8.6 million. This has a better lead actor, but it also has Terrence Howard, who is box office poison, so I’ll give it a similar $8.5 million over the weekend frame.

What do you all think? What will win the box office race this weekend? Also, did you know that the last week in April is historically one of the toughest frames for a film to debut in, since it falls right before the massive first week in May? Speak your mind in the comments!